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His imaginings and her directions intermingle as we get glimpes of the future events. While she is giving him explicit directions, he imagines how he will successfully complete the errand.
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After a few moments, Olga comes to and gives the valet an errand. The mid-point is actually pretty elaborate. He feels compelled to pick up the cork, but does not want to intrude or bring attention to himself. He inspects the room and notices the cork resting near his foot. Olga is still grieving, so she ignores him for few minutes. He arrives in the morning, bearing a vase with flowers. We can also interpret the first narrative as the opening. He has recently awakened from sleep and his appearance is unkempt. Make an argument that the hotel valet is a protagonist in the story. Does the theme represent a truth in life (or not)? Explain your answer.Ģ. We must face the fact that we will die and make peace with it.ġ. Chekhov, though in a lot of pain and having a hard time breathing, says, 'It's been so long since I've had champagne.' He drinks, then stops breathing, and dies. Chekov finally admits his condition by saying, 'What's the use? Before it arrives, I'll be a corpse.'ĭr Schwohrer orders champagne. The doctor states he will have oxygen brought to the room. He must face his illness and his death.ĭr Schwohrer visits him during the final moments. Chekov repeatedly denies the truth of his health. His condition worsens, so he visits a health spa. While at an exquisite restaurant, Chekov hemorrhages and is taken home. The inciting incident happens at the beginning of the story. Schwohrer as the protagonist for the first half, but it would be a different theme. The analysis of most of the first half of the work is provided to you, but you will fill in the gaps and finish the second.Īnton Chekhov is the protagonist for the first narrative. The second narrative is fiction as there is no account of the event–who would worry about the thoughts and actions of a hotel valet? The two contrast nicely as we view death from two perspectives: those who are close to the deceased and the others.įor this reason, we will analyze the story twice. The first narrative is a creative non-fiction piece that relies on the diaries and biographical entries of the events surrounding Chekhov's illness and death. The first narrative is the illness and death of Anton Chekhov, and the second is the narrative of the unnamed hotel valet. It could be argued that it is actually two narratives wrapped in another loose narrative.
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People who have significant positions or wealth have several names they are called, depending on the closeness of the relationship.
Raymond carver errand pdf pdf#
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